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The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat.,

The work went on, each length at the first possible opportunity resuming its state of strict neutrality and refusing to be drawn into negotiations.,

“Billy! My—boy!” Mrs. Bennett bent over him; and he felt a tear where her cheek touched his.,

An enlarged crayon portrait in a wide gilt frame of Moses as a baby in a state of round cherubic innocent nudity, had been added recently to the mural decorations and was especially well covered with cloths.

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They were at the dripping roadside tank and back in a trice. Gently where a moment before he had been ferocious with anger, Billy wiped his play-mate’s face, or rather, changed the mud from one spot to another, got him to his feet again, and finally into the buggy with the little girls by his side.,

BILLY did not lift his face from the pillow; he was striving to steady throat and voice.,

Mr. Patton, who “placed” the refugees, was glad of Billy’s request, for the child’s struggle for self-control had touched him; and he knew no one would be a kinder mother to her than Mrs. Bennett.,

“Leave the boy be, Lize,” directed Ebenezer Wopp, whom the pride-inspiring events of the evening had rendered more self-assertive than usual. “He aint crowin’ none, an’ what he done brung credit to the hullo’ us.”